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A movie that does not care if you like it's main character but has an interesting journey to follow.
Not to everyone's taste, but if you like weird movies, then try it.
In London, England, love blooms between an American college student, named Lisa, and a British glaciologist, named Matt, where over the next few months in between attending rock concerts, the two lovers have intense sexual encounters.
First and foremost, yes, there is a lot of explicit sex and it is as explicit, but fortunately not nearly as unrelenting, as many pornographic films.
The pair fondle each other's genitals, masturbate, there is a footjob in the tub, there is vibrator action, penetrative vaginal sex as well as fellatio and cunnilingus.
Matt wears a condom in the vagina penetration scene but he has the distinction of being the first man in a mainstream British film to be shown ejaculating. What I did not expect was the tenderness with which those scenes were directed and played out.
Neither O'Brien nor Stilley are typically attractive in the Hollywood, plastic, overly-made-up artificial sense of the word; rather they are real and human, and beautifully imperfect.
And so the sex (despite it being so truly believable that at times I almost thought I was watching myself! Set in Italy, the film follows the lives and interactions of two boys/men, one born a bastard of peasant stock (Depardieu), the other born to a land owner (de Niro).
The drama spans from 1900 to about 1945, and focuses mainly on the rise of Fascism and the peasants' eventual reaction by supporting Communism, and how these events shape the destinies of the two main characters.
From the moment they meet, brooding Chris (Pierre Perrier) and the beautiful Aurore (Lizzie Brochere') fall instantly and passionately in love but it s not long before their intense connection is consumed by Chris s dark obsession with gay men.
Before long, the pair embarks on a violent and sexual journey filled with seduction and destruction of young gay hustlers.