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Using the then relatively new Twin Towers as the film’s final confrontation spot was a bold choice by De Laurentiis and director John Guillerman.

This was their attempt at modernizing the classic monster tale and it certainly worked.

These two buildings appeared in many films since their being opened to the public in 1973.

Producer Dino De Laurentiis knew this all too well and this knowledge put people in movie theater seats.

If you take them for what they are, then it really is a fun film.

They actually sort of recreated some of the film’s New York sequences in an attraction featured at Universal Studios’ theme park, which spotlights a large animatronic Kong terrorizing the city and scaring theme park attendees in the process.

He just wants to be left alone and at the very least, connect with something or someone who doesn’t want to kill or exploit him.

A film as epic and expensive as Kong ’76, one must expect lavish locations, elaborate sets, a rousing musical score (composed by John Barry) and state-of-the-art special effects.

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